Chinese Government’s Push for Masculinity Targets Boy Bands, Online Influencers (John S. Van Oudenaren, The Jamestown Foundation)

In early September, China’s National Radio and Television Administration (NRTA) issued a new regulatory notice on “Further Strengthening Management of Cultural Programs and their Staff.” The regulation directs media outlets to “resolutely reject persons who violate laws and morality” including those who exhibit “abnormal aesthetics” (畸形审美, jixing shenmei) (NRTA, September 2; China Law Translate, September 2). The notice offers only one example of “abnormal aesthetics”-“niangpao” (娘炮) literally “girlie gun”,  derogatory cyberslang for men who do not display a traditional masculine aesthetic (sometimes translated as “sissy” or “girlie man”, see UPenn Language Log). Chinese broadcasters, online media outlets and individual performers quickly conformed to the NRTA’s guidance. For example, singer songwriter Cai Xukun (蔡徐坤) commonly known as “KUN” did a photoshoot where he swapped his trademark eyeliner and dyed hair for a manbun and a muscle shirt. The style change earned KUN praise in online media for looking “more masculine” and working to change his “negative image” as someone with a “girly” (娘, niang) style (Netease, September 16).

Chinese Government’s Push for Masculinity Targets Boy Bands, Online Influencers – Jamestown

 

Marco Emanuele
Marco Emanuele è appassionato di cultura della complessità, cultura della tecnologia e relazioni internazionali. Approfondisce il pensiero di Hannah Arendt, Edgar Morin, Raimon Panikkar. Marco ha insegnato Evoluzione della Democrazia e Totalitarismi, è l’editor di The Global Eye e scrive per The Science of Where Magazine. Marco Emanuele is passionate about complexity culture, technology culture and international relations. He delves into the thought of Hannah Arendt, Edgar Morin, Raimon Panikkar. He has taught Evolution of Democracy and Totalitarianisms. Marco is editor of The Global Eye and writes for The Science of Where Magazine.

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