Magnanimous machines: Why AI work should work for people and not the other way around (Neil Watson, ORF)

Over a century ago, GK Chesterton observed that the greatest mistake of civilisation is that  we try to adapt human beings to suit the needs of systems, instead of vice versa. Our world today is becoming massively systematised through a series of more sophisticated algorithmic systems. Machine learning has given us a world where anything can be discerned and anything can be counterfeited. Tiny crumbs of information can embed a signature that no amount of effort may remove. Simply put, there is nowhere to hide anything, nothing can be believed, and no one can be trusted. Due to their complexity and opacity, such systems are often emancipated from proper human agency and oversight. A civilisation built upon such systems will recreate the mistakes of the past at greater speed and scale, unless we take careful, deliberate action to prevent individuals and societies from becoming systematised in unhealthy ways. Will our future civilisation improve the human condition, or increase human suffering for the betterment of a plutocratic elite? Whether these technologies are applied by coercion or by consent will decide our future: Tyrannical injustice for the human spirit, or its liberation.

Magnanimous machines: Why AI work should work for people and not the other way around | ORF (orfonline.org)

Marco Emanuele
Marco Emanuele è appassionato di cultura della complessità, cultura della tecnologia e relazioni internazionali. Approfondisce il pensiero di Hannah Arendt, Edgar Morin, Raimon Panikkar. Marco ha insegnato Evoluzione della Democrazia e Totalitarismi, è l’editor di The Global Eye e scrive per The Science of Where Magazine. Marco Emanuele is passionate about complexity culture, technology culture and international relations. He delves into the thought of Hannah Arendt, Edgar Morin, Raimon Panikkar. He has taught Evolution of Democracy and Totalitarianisms. Marco is editor of The Global Eye and writes for The Science of Where Magazine.

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